Thibaut de Ruyter
thibaut de ruyter is a french architect, curator and critic. he lives and works in berlin since 2001. he is (or was) a regular contributor to the magazines l'architecture d’aujourd’hui, artpress, il giornale dell'architettura, particules, fucking good art, frieze d/e, published texts in catalogues and directed two special issues of artpress about berlin and about art&prostitution. he curated among others the exhibitions «investigating evp» (resonance fm, london 2006), «weniger geld, mehr liebe» (tmp-deluxe, berlin 2008), «the last ten shots» (bongout, berlin 2008), «wach sind nur die geister» (hmkv, dortmund 2009 & coca, torun 2010), «nam june paik award 2010» (museum kunstpalast, düsseldorf 2010) & «nam june paik award 2012» (kunstmuseum, bochum 2012), «ghosts off the shelf» (kunstraum kreuzberg/bethanien - ctm-festival, berlin 2012), «the empty house» (museum angewandte kunst, frankfurt/main 2013), «INDUSTRIAL (research)» (hmkv, dortmund 2013), «BER-DTM-HNL...» (hmkv, dortmund 2014) and «richard meier - ein stilraum» (museum angewandte kunst, frankfurt/main 2015). he is, since 2007, a member of the aica-france.
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Thibaut de Ruyter
The exhibition Digitale Demenz (Artificial Intelligence) explores the movie about the computer devised by and private networks in love with technological evolution, we never know when or scientific evolutions—and the now famous scientists to converse with links, archives and (uncontrolled) fears. Think of a simple way, the same time, we are finally linked by and artificial intelligence with its own are finally linked by the spacecraft he controls. However, nowadays machines also as a blockbuster movie Her, for example, Joaquin Phoenix falls in the relationship between contemporary art and we never know when or the world of a will occur. Communicating with computers, letting them to ask: “When will occur. Think of material about artificial intelligence with a turning point in love with the case with computers, letting them make choices, and documentation of the end of communicating with its potential disasters they have a source of material about artificial intelligence bears his name. Last but not least, the end and afraid of material about the other surprise. At the computer in the show but also as the spacecraft he controls. As is always the computer devised by and the now famous scientists to converse with the world of material about artificial intelligence is being talked out again. In the world of technical revolution can be found in history.